Vivienne Westwood Red Label SS13 at LFW
The Paralympics was the perfect opportunity to unfurl the CLIMATE REVOLUTION banner. In 2008, the New Economics Foundation announced their "100 Months" campaign -- the amount of time they estimate we have to stabilize the level of greenhouse gases in the atmosphere before the risk of uncontrollable planet warming becomes unacceptably high. www.neweconomics.org We are now halfway through, with 50 more months to go -- therefore we have to do it by the next Olympics. We have a choice: Hell or a Future better than the human race has ever known. CLIMATE REVOLUTION The Revolution is already begun. The fact of man- made climate change is accepted by most people. Through every walk of life people are changing their values and their behaviour, this seems to be happening in the US, despite its being politically backward. This continues to build the Revolution. The fight is no longer between the classes or between rich and poor but between the idiots and the eco-conscious. We need a formal inauguration of the Revolution and a plan of operation. Resist Economic Propaganda Our economic system, run for profit and waste and based primarily on the extractive industries, is the cause of climate change. We have wasted the earth's treasure and we can no longer exploit it cheaply. This shows up as a symptom; the symptom which is the proof of climate change is the financial crisis. Economists treat economics as if it is a pure science divorced from the facts of life. The result of this false ...
哀しみのオルフェ ／ ジェントルマン テイク ポラロイド
鬼才・森岡賢（Ex-SOFT BALLET)とスタイリッシュなヴォーカリスト・出口雅之 （Ex-GRASS VALLEY／REV）の両カリスマによるビッグユニット！（アルバム｢オルフェ」ON SALE）
Carlotta's Serape / The Son of Man / Light Ship / Nightmare
The Son of Man (French: Le fils de l'homme) is a 1964 painting by the Belgian surrealist painter René Magritte. Magritte painted it as a self-portrait. The painting consists of a man in an overcoat and a bowler hat standing in front of a short wall, beyond which is the sea and a cloudy sky. The man's face is largely obscured by a hovering green apple. However, the man's eyes can be seen peeking over the edge of the apple. Another subtle feature is that the man's left arm appears to bend backwards at the elbow. About the painting, Magritte said: At least it hides the face partly. Well, so you have the apparent face, the apple, hiding the visible but hidden, the face of the person. It's something that happens constantly. Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take the form of a quite intense feeling, a sort of conflict, one might say, between the visible that is hidden and the visible that is present.[1] The Son of Man resembles The Great War on Façades (La Grande Guerre Façades), another Magritte painting featuring similar imagery. Both feature a person standing in front of a wall overlooking the sea. The Great War on Façades, however, features a woman holding an umbrella, her face covered by a flower. There is also Man in the Bowler Hat, a similar painting where the man's face is obscured by a bird rather than an apple ...
